Features in this Issue

Focus: Pottery and Industry

Most of us in studio ceramics see ourselves as separate from industrial ceramics. The differences are clear; "we" make things by hand and "they" don't; we make one-of-a-kind objects and they don't; we make limited, short-run lines of work for a relatively small audience, and they make large production runs for mass consumption. However, I would argue that there are more similarities than differences, and there is a whole lot of middle ground where industry and the studio overlap.—Sherman Hall, Editor

On the cover: 8.5 Collection, to 15 in. (38 cm) in height, glazed porcelain, designed and introduced in 2008, by KleinReid (James Klein and David Reid).

In This Issue

The Industry of Making Pots by Donald Clark
The Industry of Making Pots by Donald Clark
Going Industrial: The Expectations and Reality of Embracing Mass Production by David Pier
Going Industrial: The Expectations and Reality of Embracing Mass Production by David Pier
From Personal to Universal: Marilyn Lysohir’s Good Girls 1968 by Glen R. Brown
From Personal to Universal: Marilyn Lysohir’s Good Girls 1968 by Glen R. Brown

Deborah Schwartzkopf: Full Circle by Molly Hatch
Deborah Schwartzkopf: Full Circle by Molly Hatch
David Scott Smith: A Bricolage of Light by Glen R. Brown
David Scott Smith: A Bricolage of Light by Glen R. Brown
Studio Visit: Erin Furimsky, Bloomington, Illinois
Studio Visit: Erin Furimsky, Bloomington, Illinois

Brandon Reese: The Structure of Things by John Zimmerman
Brandon Reese: The Structure of Things by John Zimmerman

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