Features in this Issue

Focus: Functional Discussions

In this issue, we’ve asked several makers to describe not only their process for making one of their functional pieces, but the value they hope their work carries that is beyond its basic function—and we hope you value their efforts as much as we do.—Sherman Hall, Editor

On the cover: Peter Pincus’ Blue Line Shift, to 11 in. (28 cm) in height, colored porcelain, fired in an electric kiln to cone 6.

In This Issue

Painting Pots from the Inside by Peter Pincus
Painting Pots from the Inside by Peter Pincus
John Neely: Ceramics Mechanics by Glen R. Brown
John Neely: Ceramics Mechanics by Glen R. Brown
From Rough Cut to Soft Form by Krystal Crabb
From Rough Cut to Soft Form by Krystal Crabb

A Balancing Act by Hannah Meredith
A Balancing Act by Hannah Meredith
Sculptural Platters by Lars Westby
Sculptural Platters by Lars Westby
Heads and Pots by Mark Shapiro
Heads and Pots by Mark Shapiro

Exhibition Review: Serendipity: An International Exhibition of Wood-fired Sculpture by Kevin Crowe
Exhibition Review: Serendipity: An International Exhibition of Wood-fired Sculpture by Kevin Crowe
Exhibition Review: David Kaye Gallery: Robert Archambeau by Heidi McKenzie
Exhibition Review: David Kaye Gallery: Robert Archambeau by Heidi McKenzie

Departments

Exposure
Clay Culture: Indivisible Mug by Holly Goring   
Clay Culture:  Edmund De Waal's The Pot Book by Jessica Knapp
Clay Culture: Peace by Piece by Karen Heid
Studio Visit: Amy Smith, Lincoln, Nebraska
Techno File: Viscosity by Tina Gebhart
Tips and Tools: Dial-in Level by Jim Wylder
Spotlight: Generational Shift by Emily Schroeder Willis