Ceramics Monthly: How has your practice evolved since you discussed your career as a Ceramics Monthly Working Potter in 2017?
José Sierra: My work has become more sculptural and larger in scale since we spoke in 2017. The foundation of my work is still based on the ceramic vessel that is either wheel thrown or coil built. I have been developing forms that are biomorphic and architectural, distorting the dimensions of the cylindrical vessel and exploring the interaction of form and color. My approach to color and glazing is like that of a painter. The art creates a fluidity and coexistence between abstract painting and the ceramic piece.
In 2019, Louis Lefebvre invited me to do a residency in Versailles, France, followed by a solo show at the Lefebvre et Fils Gallery in Paris. The residency allowed me to produce larger pieces in a bigger kiln, which I have generally continued. Working at this scale gives me a different perspective and it is more physically engaging, which opens the door for more possibilities for me in terms of creativity. Now, I’m playing with the space inside of the vessel in a way that I was not before. The pieces have a greater presence, not only physically, but also energetically.
I would also say that my work has transformed me at a more spiritual level, as well. When I am working with clay I feel a strong connection with nature and the energy of the materials. Similarly, I also returned to the US Southwest, to the high desert of New Mexico in 2017. My spiritual connection to the land is often transduced into my work.
CM: What advice would you share on continuing to grow as an artist?
JS: Work brings the inspiration. Don’t close yourself off to one single thing (design, technique), just keep exploring. The inspiration will come in doing the work. And, pay attention to what calls you and keep studying the subject. Keep testing your glazes and experimenting. And if you have an idea, explore it, look at it from all angles. Don’t be afraid to fail. It really is a personal journey as well—you are developing yourself with your craft.
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Ceramics Monthly: How has your practice evolved since you discussed your career as a Ceramics Monthly Working Potter in 2017?
José Sierra: My work has become more sculptural and larger in scale since we spoke in 2017. The foundation of my work is still based on the ceramic vessel that is either wheel thrown or coil built. I have been developing forms that are biomorphic and architectural, distorting the dimensions of the cylindrical vessel and exploring the interaction of form and color. My approach to color and glazing is like that of a painter. The art creates a fluidity and coexistence between abstract painting and the ceramic piece.
In 2019, Louis Lefebvre invited me to do a residency in Versailles, France, followed by a solo show at the Lefebvre et Fils Gallery in Paris. The residency allowed me to produce larger pieces in a bigger kiln, which I have generally continued. Working at this scale gives me a different perspective and it is more physically engaging, which opens the door for more possibilities for me in terms of creativity. Now, I’m playing with the space inside of the vessel in a way that I was not before. The pieces have a greater presence, not only physically, but also energetically.
I would also say that my work has transformed me at a more spiritual level, as well. When I am working with clay I feel a strong connection with nature and the energy of the materials. Similarly, I also returned to the US Southwest, to the high desert of New Mexico in 2017. My spiritual connection to the land is often transduced into my work.
CM: What advice would you share on continuing to grow as an artist?
JS: Work brings the inspiration. Don’t close yourself off to one single thing (design, technique), just keep exploring. The inspiration will come in doing the work. And, pay attention to what calls you and keep studying the subject. Keep testing your glazes and experimenting. And if you have an idea, explore it, look at it from all angles. Don’t be afraid to fail. It really is a personal journey as well—you are developing yourself with your craft.
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