Reclaiming clay has always proved to be a messy studio task. Somehow, I always managed to get clay splatter on the ceiling and walls no matter how careful I was. 

While cleaning out our shed, I came across an unused “cone of shame”—the plastic, cone-shaped dog collar the vet insists your dog needs to prevent them licking or chewing healing areas. I was instantly inspired to put it to use in the studio. 

This is a simple hack. The inverted collar rests on the top of the bucket containing your slurry and clay trimmings. The neck opening is big enough to insert a cordless drill with a plaster-mixing attachment. When mixing on full speed, my ceilings and walls remained pristine! There was no splatter on my clothes or face, and I had the smoothest creamy slip when finished mixing. 

1 Pour your reclaim into a 5-gallon bucket, attach a plaster-mixing paddle to a cordless drill, and place a plastic “cone of shame” dog cone over the bucket.
1 Pour your reclaim into a 5-gallon bucket, attach a plaster-mixing paddle to a cordless drill, and place a plastic “cone of shame” dog cone over the bucket.
2 Insert the drill mixer in the opening of the inverted cone, and mix the reclaimed clay to a smooth slip consistency. On full speed, as shown here, there is no splatter outside of the cone.
2 Insert the drill mixer in the opening of the inverted cone, and mix the reclaimed clay to a smooth slip consistency. On full speed, as shown here, there is no splatter outside of the cone.

Bonus points:

  • The cone is simple and easy to clean under running water 
  • Stores flat, taking up minimal storage space 
  • A cone sized for a large dog fits many different bucket diameters 
  • Inexpensive
  • Also great for mixing glaze and slip from a powder base, minimizing the dust kick back. You still need to wear a properly fitted respirator for safety, but less dust in the air means less dust resting on all surfaces. 

Reclaiming clay is now something I thoroughly enjoy due to the quick and easy process with this new tool. Plus, our two Rhodesian Ridgebacks were delighted to donate their collar to its forever home, Far Forest ceramics studio, where it is now finally fully appreciated. 

Unfamiliar with any terms in this article? Browse our glossary of pottery terms!
Topics: Making Clay Tools
Click the cover image to return to the Table of Contents

Related Content

You have read 1 of 3 of your complimentary articles for the month.

For unlimited access to Ceramics Monthly premium content, subscribe right now for as low as $4.85/month.

Yes, I want to subscribe to Ceramics Monthly

Not right now. Continue to article.

We understand your email address is private. You will receive emails and newsletters from Ceramic Arts Network. We will never share your information except as outlined in our privacy policy. You can unsubscribe at any time.