Horror Vacui: Across the Margins

at Northern Clay Center (www.northernclaycenter.org) in Minneapolis, Minnesota, through November 3.

1 Valerie Zimany’s Hanazume Quartet (detail), 13 in. (33 cm) in height, ceramic.
1 Valerie Zimany’s Hanazume Quartet (detail), 13 in. (33 cm) in height, ceramic.
2 Yana Payusova’s Complications, Revolution series, 18 in. (46 cm) in height, ceramic, 2017.
2 Yana Payusova’s Complications, Revolution series, 18 in. (46 cm) in height, ceramic, 2017.
3 April D. Felipe’s Wade, 15½ in. (39 cm) in length, porcelain, cotton thread, pastels, gold fringe, wood, 2018.
3 April D. Felipe’s Wade, 15½ in. (39 cm) in length, porcelain, cotton thread, pastels, gold fringe, wood, 2018.
4 Lindsay Montgomery’s The Company of Wolves Charger, 22 in. (56 cm) in length, press-molded earthenware, underglazes, stains, tin glaze, 2015.
4 Lindsay Montgomery’s The Company of Wolves Charger, 22 in. (56 cm) in length, press-molded earthenware, underglazes, stains, tin glaze, 2015.

Flora & Fauna

at In Tandem Gallery (www.intandemgallery.com) in Bakersville, North Carolina, November 1–30.

1 Taylor Sijan’s mug, 4½ in. (11 cm) in width, wheel-thrown and altered porcelain, slips, stains, underglazes, soda fired to cone 10 in a gas kiln. Photo: Silvia Palmer.
1 Taylor Sijan’s mug, 4½ in. (11 cm) in width, wheel-thrown and altered porcelain, slips, stains, underglazes, soda fired to cone 10 in a gas kiln. Photo: Silvia Palmer.

260 Fingers

at Glebe Community Centre (www.260fingers.ca) in Ottawa, Ontario, Canada, November 8–10.

1 Marney McDiarmid’s Euphorbia—Crown of Thorns, 10½ in. (27 cm) in diameter, handbuilt porcelain, wax, underglaze, fired to cone 6 in an electric kiln, 2019.
1 Marney McDiarmid’s Euphorbia—Crown of Thorns, 10½ in. (27 cm) in diameter, handbuilt porcelain, wax, underglaze, fired to cone 6 in an electric kiln, 2019.

Noel Bailey

at In Tandem Gallery (www.intandemgallery.com) in Bakersville, North Carolina, through November 16.

1 Noel Bailey’s pitcher, 9 in. (23 cm) in height, wheel-thrown and altered porcelain, glaze, fired in reduction in a gas kiln to cone 10. Photo: Silvia Palmer.
1 Noel Bailey’s pitcher, 9 in. (23 cm) in height, wheel-thrown and altered porcelain, glaze, fired in reduction in a gas kiln to cone 10. Photo: Silvia Palmer.

Breaking the Plane

at Jane Hartsook Gallery at Greenwich House Pottery (www.greenwichhouse.org/pottery/jane-hartsook-gallery ) in New York, New York, through November 8.

1 Lauren Mabry’s Stand, 16 in. (41 cm) in height, ceramic, glaze, 2018.
1 Lauren Mabry’s Stand, 16 in. (41 cm) in height, ceramic, glaze, 2018.
2 Shannon Goff’s Fruit Stripe, 20 in. (51 cm) in height, ceramic, 2019.
2 Shannon Goff’s Fruit Stripe, 20 in. (51 cm) in height, ceramic, 2019.
3 Peter Christian Johnson’s Jilted, 14½ in. (37 cm) in depth, porcelain, 2019.
3 Peter Christian Johnson’s Jilted, 14½ in. (37 cm) in depth, porcelain, 2019.

Kogei-Kyoto at SA + C Boston: Contemporary Innovators in Japanese Arts and Crafts

at Society of Arts + Crafts (www.societyofcrafts.org) in Boston, Massachusetts, through November 10.

1 Masayuki Imai’s vase, ceramic, inlaid fish motif.
1 Masayuki Imai’s vase, ceramic, inlaid fish motif.
2 Masakazu Hoki’s vessel, ceramic.
2 Masakazu Hoki’s vessel, ceramic.
3 Takehiro Kato’s vase, ceramic.
3 Takehiro Kato’s vase, ceramic.

Lindsay Pichaske, Steven Young Lee, and Alessandro Gallo

at Duane Reed Gallery (www.duanereedgallery.com) in St. Louis, Missouri, through November 30.

1 Steven Young Lee’s Jar with Tiger and Clouds, 16 in. (41 cm) in height, porcelain, white slip, glaze, 2019.
1 Steven Young Lee’s Jar with Tiger and Clouds, 16 in. (41 cm) in height, porcelain, white slip, glaze, 2019.
2 Lindsay Pichaske’s Souvenir, 32 in. (81 cm) in height, stoneware, porcelain, Mason stains, hair, 2019.
2 Lindsay Pichaske’s Souvenir, 32 in. (81 cm) in height, stoneware, porcelain, Mason stains, hair, 2019.

Spontaneous Response: The Innovative Ceramics of Don Reitz

at Westmont Ridley-Tree Museum of Art (http://westmont.edu/museum) in Santa Barbara, California, through November 9.
1 Don Reitz’ The Last Dance, 15¾ in. (40 cm) in height, wood-fired stoneware, 2014.
1 Don Reitz’ The Last Dance, 15¾ in. (40 cm) in height, wood-fired stoneware, 2014.
2 Don Reitz’ It Makes Sense to Me, 22½ in. (57 cm) in diameter, low-fire earthenware, engobes, glaze, salt fired, 1990.
2 Don Reitz’ It Makes Sense to Me, 22½ in. (57 cm) in diameter, low-fire earthenware, engobes, glaze, salt fired, 1990.

 

Alluring Forms

at Contemporary Ceramics (http://cpaceramics.com) in London, England, through November 9.

1 Martin Pearce’s Bulb Form, 7 in. (17 cm) in height, stoneware, 2019.
1 Martin Pearce’s Bulb Form, 7 in. (17 cm) in height, stoneware, 2019.

 

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Topics: Ceramic Sculpture
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