The audio file for this article was produced by the Ceramic Arts Network staff and not read by the author.

Ceramics Monthly: What do you do to push yourself to stay engaged and develop new forms in the field of ceramics?

Jason Wang: I believe that staying engaged and developing new forms requires giving myself permission to enjoy the process. At times, I find myself too attached to making work to sell, and I have to remind myself of the importance of play.

One exercise I often do is to throw a pot and intentionally exaggerate the proportions. I’ll alter the form by cutting off sections with a wire and adding different elements. The result is usually something strange and messy, but I often discover an element that feels interesting. That single aspect of the form may later be incorporated into a more refined piece.

1 Jason Wang's Titanium Yellow Orange Teapot, 8 in. (20.3 cm) in width, white stoneware, glaze, fired to cone 10 in a soda kiln, 2025.

I use a similar approach when looking at pieces in my personal ceramics collection. I ask myself what specifically draws me to the vessel. Is it the rim, the foot, the handle, the texture, or the glaze? Once I identify the element that resonates with me, I experiment with ways of incorporating that feature into my own work.

For me, color is a language that can tell stories without words. It affects the viewer directly on a sensory level, even before any rational explanation appears. 

At the moment, I am particularly inspired by the bold color language of Natalia Goncharova, especially her stage designs for the Ballets Russes as well as by folk art and traditional ornamental patterns. 

CM: What is the most challenging aspect of working in clay (either technically or in terms of building a career)? 

JW: The most challenging aspect of working in clay (and life) is dealing with self-doubt. Like many artists, I have struggled with imposter syndrome and often find myself wondering if the path is worth it. It isn’t an easy road, especially when starting out. There are countless unknowns and learning curves in navigating the ceramics world that academia simply cannot prepare a student for.

2 Jason Wang's Hollow Rim Plate, 10½ in. (26.7 cm) in width, white stoneware, glaze, fired to cone 10 in a soda kiln, 2025.

Thankfully, the ceramics community is filled with supportive people who genuinely care. My favorite author, Simon Sinek, once said, “We don’t build trust when we offer help. We build trust when we ask for it.” That idea resonates deeply with me. It reminds me how important it is to have friends in your life who understand the struggles you may be facing—people who will hold space for you and have your back along the way.

Learn more at www.jasonartwang.com or follow on Instagram @jason_art_wang.

 

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