Red Clay Terra Sigillata Eveline Kieskamp

You have read of of your complimentary recipes for the month.
For unlimited access to Ceramics Recipes premium content, subscribe right now for as low as $1.99/month.
Yes, I want to subscribe to Ceramics RecipesWe understand your email address is private. You will receive emails and newsletters from Ceramic Arts Network. We will never share your information except as outlined in our privacy policy. You can unsubscribe at any time.

You have read of of your complimentary recipes for the month.
For unlimited access to Ceramics Recipes premium content, subscribe right now for as low as $1.99/month.
Yes, I want to subscribe to Ceramics RecipesNot right now. Continue to recipe.
We understand your email address is private. You will receive emails and newsletters from Ceramic Arts Network. We will never share your information except as outlined in our privacy policy. You can unsubscribe at any time.
Subscribe
Ingredients
Instructions
Add the clay to the water in a transparent bucket, and then stir well until the clay is mixed. Next, you add the deflocculant and let it stand for 10 minutes—fine vertical streaks will form as the coarser clay particles settle. After 20 minutes, dip a brush half an inch into the liquid and apply three coats to a leather-hard tile. If this shines well, it is a good terra sigillata. Let it stand for 24–48 hours. If all goes well you will now see three parts in the bucket, a solid lower part, a middle part, and an almost transparent upper part. Using a flexible hose, siphon the middle part from the bucket into another bucket. Discard the other parts.
Apply with a brush, spraying, or dipping. It is important not to apply the terra sigillata too thickly, three coats is ideal. If the liquid is very thin an additional layer can be applied.
To color the terra sigillata, use a maximum of 10% pigment or oxides to keep enough shine. If the color settles too much, you can use flocculant (add a few drops, drop by drop until the color mixes better, beware it quickly turns to yogurt thickness and that is not useful for enough gloss).
This recipe was shared by Eveline Kieskamp in the May 2025 issue of Ceramics Monthly.
Recipe Topics
Clay Bodies and Casting Slips
Low Fire (Cone 022 – 01)
Mid Range (Cone 1 – 7)
High Fire (Cone 8 – 14)
Raku
Salt, Soda, and Wood
Slip, Engobe, and Terra Sigillata
Reference
Create your own Recipes!
You can keep your recipes private or share with others.
Create a Recipe
Manage your Recipes