Soluble Salt—Iron Sulfate Sandra Torres
You have read of of your complimentary recipes for the month.
For unlimited access to Ceramics Recipes premium content, subscribe right now for as low as $1.99/month.
Yes, I want to subscribe to Ceramics RecipesWe understand your email address is private. You will receive emails and newsletters from Ceramic Arts Network. We will never share your information except as outlined in our privacy policy. You can unsubscribe at any time.
You have read of of your complimentary recipes for the month.
For unlimited access to Ceramics Recipes premium content, subscribe right now for as low as $1.99/month.
Yes, I want to subscribe to Ceramics RecipesNot right now. Continue to recipe.
We understand your email address is private. You will receive emails and newsletters from Ceramic Arts Network. We will never share your information except as outlined in our privacy policy. You can unsubscribe at any time.
Subscribe
Ingredients
Instructions
This produces an iron sulfate solution that is a 50% concentration.
While wearing gloves and a properly fitted respirator, slowly mix the 50 grams of iron sulfate into the 100 mL of water and stir well with a wooden stick. Between uses, the iron will settle to the bottom of the container, but you can just stir it again to redistribute it back into the solution. The only consideration is that if the iron sulfate is not fully stirred back into the solution, the results will be very mild or pale (a light sepia shade).
The iron sulfate solution is brown in color and it is easy to see it during application. It works best if applied to bisque ware and then refired to cone 06 to fix the color on the surface, as it will dissipate if it is applied right before glazing the piece. After refiring, the color will remain in place at high temperatures (cone 6 to cone 13).
I wear gloves while working with soluble salts, and apply the iron sulfate solution with a bamboo brush directly onto the piece. I only apply one layer as this solution saturates fast and results in a very dark coloration of the clay. The results are somewhat unpredictable, but they are always interesting.
I only use iron sulfate on surfaces that will not be glazed, as clear glaze turns the sharp sepia tone into a dull brown.
This recipe was shared by Sandra Torres in the December 2020 issue of Ceramics Monthly.Recipe Topics
Clay Bodies and Casting Slips
Low Fire (Cone 022 – 01)
Mid Range (Cone 1 – 7)
High Fire (Cone 8 – 14)
Raku
Salt, Soda, and Wood
Slip, Engobe, and Terra Sigillata
Reference
Create your own Recipes!
You can keep your recipes private or share with others.
Create a Recipe
Manage your Recipes