Norton Red/ Copper Blue Forrest Gard
You have read of of your complimentary recipes for the month.
For unlimited access to Ceramics Recipes premium content, subscribe right now for as low as $1.99/month.
Yes, I want to subscribe to Ceramics RecipesWe understand your email address is private. You will receive emails and newsletters from Ceramic Arts Network. We will never share your information except as outlined in our privacy policy. You can unsubscribe at any time.
You have read of of your complimentary recipes for the month.
For unlimited access to Ceramics Recipes premium content, subscribe right now for as low as $1.99/month.
Yes, I want to subscribe to Ceramics RecipesNot right now. Continue to recipe.
We understand your email address is private. You will receive emails and newsletters from Ceramic Arts Network. We will never share your information except as outlined in our privacy policy. You can unsubscribe at any time.
Subscribe
Ingredients
Instructions
Published in "Emerging Glazes," in the May 2016 issue of Ceramics Monthly, page 86.
Green/Blue glaze in oxidation (shown on the top half of the cups in the image here). Because copper is used as the colorant, this glaze is red when fired in a reduction kiln.
This glaze settles out and needs a suspension agent. Try: Veegum T, Bentonite, CMC Gum, or Epsom Salts. The last two will thicken the glaze slurry and help to suspend particles in the process.
Recipe Topics
Clay Bodies and Casting Slips
Low Fire (Cone 022 – 01)
Mid Range (Cone 1 – 7)
High Fire (Cone 8 – 14)
Raku
Salt, Soda, and Wood
Slip, Engobe, and Terra Sigillata
Reference
Create your own Recipes!
You can keep your recipes private or share with others.
Create a Recipe
Manage your Recipes