Dustin Hart
Dustin Hart Ceramics
Artist Statement
I enjoy working with concepts such as light, voids, and sacred spaces. In my ceramic practice, I chose processes that show the qualities of the material. These qualities are, on their own, reprehensive of the tension that exists between me, the maker, and the clay as the medium. I enjoy this challenge and ultimately, with clay, everything becomes a collaborative process. I believe this is obvious in all my objects. You can see the rigidity of my process, or the method to create my concept. You can also see the will of the clay in its soft edges and organic form. To me, this collaboration is what working in clay is all about.
Studio Description
Small, humble, but useful
What type of clay do you use?
All types
What temperature do you fire to?
1780°F –2381°F
What is your primary forming method?
I use the wheel, employ a multitude of handbuilding methods, and will create and use molds and any other method that fits my concept.
What is your favorite surface treatment?
Glaze and Raku
Do you make any of your own tools?
Yes
What one word would you use to describe your work?
Dignified
What is your favorite thing about your studio?
Ever changing, ever growing
What is the one thing in your studio you can’t live without?
I have a view of the Hawaiian jungle in the back of my studio. It puts me at peace and enables me to be creative
What are your top three studio wishes?
A Fredrickson 16-foot front loading kiln, a Soldner mixer, and a glaze table with storage bins
What’s on your current reading list?
The Complete Guide to High Fire Glazes by John Britt
How do you save money on materials and supplies?
I don't. I buy the best I can afford at the time
How do you recharge creatively?
Surf, hike, meditate, gym
Do you have any DIY tips for studio efficiency?
Wash buckets first, then the sink. The clay will sink to the bottom of the bucket, they you can recycle it.
What challenges have you given yourself to overcome?
I am attempting to become a full-time artist.
What did your first piece look like?
In fifth grade, I made a lumpy coil pot gravy pitcher. My folks still have it on the shelf.
What ceramic superpower would you have and why?
Multiplicity so that I can produce more.
What area of skill do you most look to other artists to learn?
Concept
Who is your ceramic art mentor and why?
Peter Voulkas, for his large ceramic sculptures
Why do you create art?
It's a burning passion in me. It's my purpose, my drive, my reason.
Who is your favorite artist and what do you admire about that artist?
Anish Kapoor, I love his use of color and his voids.
What is your best studio tip?
Strive and endure.
If you could change one property of clay, what would it be?
Nothing. It's perfect.
