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Kara Artman,
Bluffton, South Carolina

Website: http://www.karaartman.com

Email: Kara.artman@gmail.com

Instagram: @kara_artman

Facebook: @Kara_Artman_Art

Artist Statement:
Trifle: A thing of little or no importance. Most regard the detritus of the past in this way, I work in opposition to the notion; believing there to be a story in that which we leave behind. My maternal grandparents treasured most every trifle or curio they crossed paths with. A dresser in the spare room seemed to contain every letter they received, as well as crackerjack prizes, harmonicas, yo-yos, baseball cards, and the occasional dirty joke. The shelves and display cabinets were filled with my grandmother's long-empty Avon bottles, rocks from distant places, and not-to-be-touched carnival glass. I, too, am a collector of trifles; as such, my work is filled with trinkets and curiosity. The remnants of past eras remain, remarkably elegant, especially in relation to their modern equivalents. I surround myself with the ephemera of our forebearers, steeping my thoughts with history and the work of human hands. It is the feeling; of having a story, a soul, that I try to embody in my work. These compass points have led to a multitude of artistic visions, often utilizing mass-produced, post-consumer products as a primary source material. Engaging diligent research as the foundation of my working practice, my art embraces the realm of the trifle and the story’s of which they tell.

Studio Description:
A small home studio, lined with shelves that are bursting with my molds. A long working bench with multiple 5-gallon tapped buckets of different kinds of slip. As well as a few hundred pounds of clay I have acquired in my travels, be it clay I dug or clay from retiring artist and studio closings. I am amassing a great collection of legacy materials.

What type of clay do you use?
Porcelain slip is my primary clay body. I do use stoneware and earthenware when the desire strikes.

What temperature do you fire to?
Cone 6–8

What is your primary firing method?
Electric

What is your favorite surface treatment?
Underglaze applied to bisqueware.

Do you make any of your own tools?
Yes, I make all the molds I use for casting.

What is the one thing in your studio you can’t live without?
My old school one-speed plug-in drill.

What is your top studio wish?
For it to be bigger.

How do you save money on materials and supplies?
Teacher Discount.

How do you recharge creatively?
Going camping

Do you have any DIY tips for studio efficiency?
A tapped bucket for slip casting is a wonderful addition if you don't have a slip table. Make-up sponges are great for all the clean-ups.

What challenges have you given yourself to overcome?
Consistently documenting my work and maintaining my website.

What did your first piece look like?
A tree stump.

What ceramic superpower would you have and why?
Super wedging power.

What area of skill do you most look to other artists to learn?
Unusual material uses.

Who is your ceramic art mentor and why?
My Friends at Full Spectrum Studio teach me that no matter the circumstances, they can be overcome.

What is on your studio playlist?
Audio books.

Why do you create art?
I create art because it is me. Art is not a means to an end, art is how I interact with the world. It is my end. Without art I would be lost.

What is your best studio tip?
Keep designated tools for different materials. 

If you could change one property of clay, what would it be?
Not be so dusty.

 

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