January 2018 • Table of Contents

On the Cover

Although Judit Varga’s father was an engineer at a ceramics factory, she ultimately chose clay because it allows her to express her fascination with forms from nature, and her desire to capture a sense of time—what’s coming and what’s behind us. Judit Varga spent six weeks this past summer in Bai Ming’s studio, Shangyu Celadon Modern International Ceramic Art Center, in Shangyu, China, creating work that hardly exists. Read More

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