February 2013 • Table of Contents

FC_0213CM

Focus: High-tech and Low-tech

On the cover: Ken Price, Hunchback of Venice, 29 in. (73 cm) in length, fired and painted clay, 2000. Courtesy of Dallas Price and Bob Van Breda. Copyright Ken Price. Photo copyright Fredrik Nilsen.

 

In This Issue

AfricanCultures

The Centrality of Ceramics in African Cultures
by Diana Lyn Roberts

NobuhitoNishigawara

Nobuhito Nishigawara: Body Doubles
by Kathleen Whitney

LizSmithHorrorVacui

Horror Vacui
by Liz Smith

3DPrintingInClay

3D Printing in Clay: Building Objects in Coiled Layers
by Roderick Bamford

SVAnneHjortshøj

Studio Visit: Anne Mette Hjortshøj, Rønne, Bornholm, Denmark

CCCeramicTech

Clay Culture: Ceramic Tech Highlights

CCBurningQuestion

Clay Culture: A Burning Question
by Wesley L. Smith

ReviewKenPriceLACMA

Exhibition Review:
Ken Price Sculpture: A Retrospective
by Elaine Levin

ReviewAFineLine

Exhibition Review: A Fine Line
by Emily Donahoe

TechnoFileStains

Techno File: Ceramic Stains
by John Britt

TipsToolsAdjHeight1

Tips and Tools: Adjustable Heights
by Adam Field

ExposureFeb2013

Exposure: Current and Upcoming Exhibitions

SptlghtPorcelainNar

Spotlight: Porcelain Narratives
by Beth Lo
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