February 2013 • Table of Contents

FC_0213CM

Focus: High-tech and Low-tech

On the cover: Ken Price, Hunchback of Venice, 29 in. (73 cm) in length, fired and painted clay, 2000. Courtesy of Dallas Price and Bob Van Breda. Copyright Ken Price. Photo copyright Fredrik Nilsen.

 



In This Issue

AfricanCultures
The Centrality of Ceramics in African Cultures
by Diana Lyn Roberts
NobuhitoNishigawara
Nobuhito Nishigawara: Body Doubles
by Kathleen Whitney
LizSmithHorrorVacui
Horror Vacui
by Liz Smith
3DPrintingInClay
3D Printing in Clay: Building Objects in Coiled Layers
by Roderick Bamford
SVAnneHjortshøj
Studio Visit: Anne Mette Hjortshøj, Rønne, Bornholm, Denmark
CCCeramicTech
Clay Culture: Ceramic Tech Highlights
CCBurningQuestion
Clay Culture: A Burning Question
by Wesley L. Smith
ReviewKenPriceLACMA
Exhibition Review:
Ken Price Sculpture: A Retrospective
by Elaine Levin
ReviewAFineLine
Exhibition Review: A Fine Line
by Emily Donahoe
TechnoFileStains
Techno File: Ceramic Stains
by John Britt
TipsToolsAdjHeight1
Tips and Tools: Adjustable Heights
by Adam Field
ExposureFeb2013
Exposure: Current and Upcoming Exhibitions
SptlghtPorcelainNar
Spotlight: Porcelain Narratives
by Beth Lo
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