December 2012 • Table of Contents
Focus: Functional Discussions
In this issue, we’ve asked several makers to describe not only their process for making one of their functional pieces, but the value they hope their work carries that is beyond its basic function—and we hope you value their efforts as much as we do.—Sherman Hall, Editor
On the cover: Peter Pincus’ Blue Line Shift, to 11 in. (28 cm) in height, colored porcelain, fired in an electric kiln to cone 6.
In This Issue
Exposure: Images from current and upcoming exhibitions.
Clay Culture: Indivisible Mug
by Holly Goring
Clay Culture: Edmund De Waal's The Pot Book by Jessica Knapp
Clay Culture: Peace by Piece
by Karen Heid
Painting Pots from the Inside
by Peter Pincus
John Neely: Ceramics Mechanics
by Glen R. Brown
From Rough Cut to Soft Form
by Krystal Crabb
A Balancing Act
by Hannah Meredith
Sculptural Platters
by Lars Westby
Heads and Pots
by Mark Shapiro
Studio Visit: Amy Smith
Lincoln, Nebraska
Techno File: Viscosity
by Tina Gebhart
Tips and Tools: Dial-in Level
by Jim Wylder
Exhibition Review: Serendipity: An International Exhibition of Wood-fired Sculpture by Kevin Crowe
Exhibition Review: David Kaye Gallery: Robert Archambeau by Heidi McKenzie
