December 2012 • Table of Contents
Focus: Functional Discussions
In this issue, we’ve asked several makers to describe not only their process for making one of their functional pieces, but the value they hope their work carries that is beyond its basic function—and we hope you value their efforts as much as we do.—Sherman Hall, Editor
On the cover: Peter Pincus’ Blue Line Shift, to 11 in. (28 cm) in height, colored porcelain, fired in an electric kiln to cone 6.
In This Issue

Painting Pots from the Inside
by Peter Pincus

John Neely: Ceramics Mechanics
by Glen R. Brown

From Rough Cut to Soft Form
by Krystal Crabb

A Balancing Act
by Hannah Meredith

Sculptural Platters
by Lars Westby

Heads and Pots
by Mark Shapiro

Studio Visit: Amy Smith
Lincoln, Nebraska

Techno File: Viscosity
by Tina Gebhart

Tips and Tools: Dial-in Level
by Jim Wylder

Exhibition Review: Serendipity: An International Exhibition of Wood-fired Sculpture by Kevin Crowe

Exhibition Review: David Kaye Gallery: Robert Archambeau by Heidi McKenzie
