April 2012 • Table of Contents

Focus: Summer Workshops

We need passionate newbies; we do, in fact, want them to be fired up about clay. But once they are interested, and we have them in our clutches, and they have learned a subtle thing or two about the wonders of clay, then I think it is reasonable to expect that their vocabulary and manner of dialog reflect their level of knowledge—which is to say that they move from being fired up to becoming stoked, or centered (well, maybe not centered—that takes quite a while). —Sherman Hall, Editor

On the cover: Kate Maury’s Grotto (For Marie), collaboration with David Swenson, 24 in. (61 cm) in height, handbuilt porcelain, fired to cone 6 in oxidation. Photo: Brad Daniels (http://braddaniels.com).



In This Issue

TradingExperiences
Clay Culture: Trading Experiences
by Justin Rothshank
Clay Culture: Pacific Standard Time
by Kathleen Whitney
Clay Culture: Khan Academy
by Jessica Knapp
Studio Visit: Backa Carin Ivarsdotter
Stockholm/Valskog, Sweden
Mr. Bailey’s Museum of Wonders
by Garth Johnson
Sources and Influences: Mentors and Students
by Kathleen Kneafsey
Dark Childhood: “Push Play: The 2012 NCECA Invitational”
reviewed by Matthew Kangas
Taken into Context
reviewed by Keith J. Williams
Techno File: Plaster (Gypsum)
by Guy Michael Davis
Summer Workshops 2012
Spotlight: Clay Is Back at Otis
by Margaret Reeve

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