Making Sets Hang Together Using Stencils, Mishima, and Underglazes
The key to making good sets is to make them work well together both visually and functionally. With careful planning, … Read More
The key to making good sets is to make them work well together both visually and functionally. With careful planning, … Read More
My creative process proceeds not from form to decoration, but in reverse. I start with the development of a graphic … Read More
When most of us think of stenciling on pottery, we probably think of laying down a stencil and painting over … Read More
Stenciling is a great decorative technique for pottery. A traditional method for applying stencils is to cut or tear paper … Read More
Sumiko Takada with Kaname Takada
We’ve done a lot of articles on inlay ceramics—often called slip inlay or Mishima—here on Ceramic Arts Network. Here’s a … Read More
When looking at intriguing pots, we are often caught wondering, how is this made? It is delightful to witness the … Read More
We get a lot of inquiries at Ceramic Arts Network from teachers looking for grade-school assignments that can work with … Read More
Probably by now every potter in the world is familiar with Chinese rice-paper transfers. They come in various colors, and … Read More
I’m currently using a combination of mishima, paper stencils, and sgraffito on my work. I’m inspired by human interaction with … Read More
Julie Johnson’s pottery combines traditional functional forms with decorative surface design through hand-painted brushwork. Her brush of choice is an … Read More