Unity, Form, and Surface: A New Approach to Fritware
Cranberry, 4½ in. (11 cm) in height, Grolleg porcelain, shino and ash glaze blend, reduction fired to cone 10, 2010.
For … Read More
Cranberry, 4½ in. (11 cm) in height, Grolleg porcelain, shino and ash glaze blend, reduction fired to cone 10, 2010.
For … Read More
I have always loved being an educator. After 10 years teaching at universities, community colleges, and art centers in the … Read More
Crystalline glazes are seductive and instantly capture the eye. How exhilarating to create a glaze that suggests floating galaxies, frosty … Read More
Birds are a great starting place to study form. They’re full of life, vary greatly in shape, and have distinctive … Read More
Handbuilding with slabs and templates can help you understand how flat shapes translate into three-dimensional form, make repeating forms, or … Read More
Making a set is always a complicated, challenging task. You must consider the relationships among various elements of a single … Read More
David Schlapobersky and Felicity Potter
David Schlapobersky and Felicity Potter are leading South African studio potters who have been working together in the tradition of … Read More
Turn Up the Volume by Mark Cole
Paying attention to the visual beginning and ending at the foot and the lip … Read More
I first saw (and held) Birdie Boone’s belly-bottomed pots at an NCECA exhibition a couple of years ago, and I … Read More