Collaboration: Curt Hammerly and Eric Heerspink
Eric Heerspink and Curt Hammerly
After Curt Hammerly saw an exhibition of collaborative work, he was inspired to try it out in his own studio … Read More
Eric Heerspink and Curt Hammerly
After Curt Hammerly saw an exhibition of collaborative work, he was inspired to try it out in his own studio … Read More
We all have our studio routines and habits, a rhythm developed after years of making. This can be good and … Read More
A lack of established guidelines for standard workshop compensation in the US makes it difficult for both artists and institutions … Read More
A while back, we posted an article on using rare earth metals in high fire glazes. The rare earth metals, … Read More
Turning the terra-sigillata making process on it’s head, Tom Anderson has found a way to use temperature to eliminate time, … Read More
Sandy Lockwood emphasizes the importance of paying close attention to the world around her and focuses on three main themes … Read More
I use paper stencils with underglaze a lot in my work. With a little water, the stencils stick to greenware … Read More
Adam Knoche switched gears toward function in the studio to make a series of plates destined for an experimental culinary … Read More
Review the science behind kiln atmosphere, then use that information to your advantage in your next firing. … Read More
Q: What is the most important thing that has happened in your career so far and why?
A: About 8 years … Read More