Courtney Murphy deftly combines two somewhat disparate influences in her work: simple, well-designed industrial objects, and folk art and children’s … Read More
In Japan, the words “neriage,” “nerikomi,” and “zougan” are all used for specific colored clay processes and there is some … Read More
Like yoga and meditation, clay has always been a part of my spiritual practice. Creating ceramic vessels allows me to … Read More
Form, texture, tension, and balance are always at the forefront of our process. The function of a piece develops alongside … Read More
My pieces usually begin with a sketch and a general idea of surface information. Sometimes the final form looks just … Read More
I use color to express pleasure, strangeness, and fantasy—and to avoid neutrality, style, and tastefulness—in my work. When I was … Read More
I prefer to imagine a certain object before looking at it for reference to see how my hand might change … Read More
From disparate materials, contrary textures, and incompatible forms, POPJCTs are intended to manifest harmonious but revealing interactions. These interactions are … Read More
This current body of work was created to promote a safe space for individuals to share their stories, experiences, and … Read More
When you first decide you want to create your own pottery, it’s likely your first class will involve the pinch … Read More
