A Delicate Balance: Paul Briggs
Two distinct modes of making—contemplative slab building and meditative pinching—serve as a means for Paul Briggs to express reflections on … Read More
Two distinct modes of making—contemplative slab building and meditative pinching—serve as a means for Paul Briggs to express reflections on … Read More
Artist and gallerist Jonathan Kaplan shares several strategies to help potters adapt to the new reality and restrictions of the … Read More
In this issue, which focuses on the business side of being a ceramic artist, individuals discuss the long-term plans and … Read More
There is an abundance of clay in my area, and I have occasionally thought about making work out of local … Read More
Many people know that a microwave oven can be used to dry clay quickly when you’re in a pinch. Dielectric … Read More
Most of us ceramic artists know there are some dangers inherent in the art form we have chosen—from inhaling raw … Read More
Probably every artist who has fallen in love with clay has thought the following at one time or another: How … Read More
Firing clay is the most critical part of the ceramics process because it is the one thing that makes clay … Read More
This technique involves using templates to repeatedly create an even, symmetrical form. In the coil-building exercise, you position the template … Read More
I have never felt good about having my clay space in the basement of our home. No matter how much … Read More