Studio Visit: Erin Furimsky, Bloomington, Illinois
In this latest installment of our Studio Visit department, Erin Furimsky shares her personal practice and
insight into her career as … Read More
Condition of clay in which it has stiffened but is still damp. Point at which pieces are joined and most surface modification and trimming are done. Soft leather-hard ideal for forming, joining, thick slip-decorating. Medium leather-hard good for thin slip- decorating, joining, incising, carving, piercing. Hard leather-hard good for thin slip- decorating, carving, scraping. Source: Clay: A Studio Handbook
In this latest installment of our Studio Visit department, Erin Furimsky shares her personal practice and
insight into her career as … Read More
If you frequent Ceramic Arts Daily, you may be familiar with the term Mishima because we’ve posted several different variations … Read More
Salt firing and salt glazing have been common practice in ceramics for centuries, initially as an industrial glazing method, and … Read More
A couple of months ago, we discovered that Olympia, Washington, potter Sequoia Miller started a new blog called “ever wonder … Read More
As we make lifestyle adjustments to minimize our impact on the
environment and do what we can to conserve natural resources, … Read More
I am way fired up, folks. I just got back from the Potters Council Expressive Surfaces workshop at Red Star … Read More
I work at home, and I was extraordinarily fortunate to find
a beautiful little airplane bungalow to rent with the space … Read More
As ceramic artists and potters, one of the most important things to remember is that it takes time to develop … Read More
Finding Your VoiceJeffrey NicholsMaster craftsman Jeffrey
Nichols talks about Finding Your Voice by developing your techniques
and your ideas. over a period … Read More
Having blacksmiths, farmers, and painters in his ancestry, ceramic artist Joseph Pintz has always had an appreciation for those who … Read More