Quick Tip: Line-Blend Tests
Clay slip, or liquefied clay, can be used in varying ways. When working with earthenware, the clay bodies are higher … Read More
Color change in fired clay or slip due to direct flame contact and residual ash deposition in wood firing, or due to variable currents of vapor deposition in salt and soda firing. Flashing can occur on almost any light-colored claybody, but is most dramatic on porcelain bodies and slips. Source: Clay: A Studio Handbook
Clay slip, or liquefied clay, can be used in varying ways. When working with earthenware, the clay bodies are higher … Read More
Ceramic jewelry involves two components, a ceramic piece and a metal finding. Start by creating the ceramic element for the … Read More
Slip casting is probably the most popular way to make ceramic wall pieces, especially if the pieces are made up … Read More
Richard Zakin and Frederick Bartolovic
It goes without saying that kilns are a crucial part of the ceramic process, and increasingly, potters are using electric … Read More
Sometimes you just feel like making pieces for the wall, not the table, and Gary Jackson’s project in the Pottery … Read More
As David and Maggy Rozycki Hiltner’s family and home in Red Lodge, Montana, expanded, so did their ceramic collection. Being … Read More
Saggar firing is the method of creating confined atmospheres in a kiln within a container or saggar. Depending on the … Read More
High-fire terra sigillata? Is this even possible? Yes! Terra sigillatas remain stable from low fire through mid range to high … Read More
I just added latex resist to my ever expanding studio supplies shopping list. What is latex resist, you ask? Liquid … Read More
Beginning with a complex sequence of dissecting, mapping, and stacking, Kyle Johns creates multifaceted slip-cast vessels. The infinite mold combinations … Read More