Seth Charles: Inner and Outer Landscapes
Honesty of materials and process, as well a sense of place, have guided Seth Charles’ sculptural and functional wood-fired ceramics. … Read More
Color change in fired clay or slip due to direct flame contact and residual ash deposition in wood firing, or due to variable currents of vapor deposition in salt and soda firing. Flashing can occur on almost any light-colored claybody, but is most dramatic on porcelain bodies and slips. Source: Clay: A Studio Handbook
Honesty of materials and process, as well a sense of place, have guided Seth Charles’ sculptural and functional wood-fired ceramics. … Read More
Clay slip, or liquefied clay, can be used in varying ways. When working with earthenware, the clay bodies are higher … Read More
Ceramic jewelry involves two components, a ceramic piece and a metal finding. Start by creating the ceramic element for the … Read More
Slip casting is probably the most popular way to make ceramic wall pieces, especially if the pieces are made up … Read More
Richard Zakin and Frederick Bartolovic
It goes without saying that kilns are a crucial part of the ceramic process, and increasingly, potters are using electric … Read More
Sometimes you just feel like making pieces for the wall, not the table, and Gary Jackson’s project in the Pottery … Read More
Fuels are organic and carbon based, they burn readily. Until recently, all kilns were fuel burning; even now when we … Read More
One of the things all ceramic artists have in common is that we all need to fire our work in … Read More
As David and Maggy Rozycki Hiltner’s family and home in Red Lodge, Montana, expanded, so did their ceramic collection. Being … Read More
Saggar firing was originally developed to protect wares from ash-slagging and flame-flashing in wood firings, but in contemporary use, with … Read More