Making Molds on Location
I moved to Louisiana in 2002 to attend graduate school at Louisiana State University (LSU) in Baton Rouge. Louisiana is … Read More
I moved to Louisiana in 2002 to attend graduate school at Louisiana State University (LSU) in Baton Rouge. Louisiana is … Read More
When looking at intriguing pots, we are often caught wondering, how is this made? It is delightful to witness the … Read More
Diana Williams’ splits her time between Jingdezhen, China, and Australia. Her most recent sculptural series reflects both her training and … Read More
In today’s post, an excerpt from his popular book Making Marks, the late Robin Hopper talks about the importance of a … Read More
An anagama kiln in a high school ceramics class? That seems highly unlikely, doesn’t it? Many high school ceramics teachers … Read More
A change in studio facilities led Lynn Duryea to working with red earthenware clay, but its depth as a material … Read More
Taking risks, working through failure, being self aware, and embracing less restrictive ideas of what makes a good pot have … Read More
Typically, when we hear the word “bloated,” we don’t immediately think of clay. More often, we think of the feeling … Read More
A freshly made form, ready to decorate, etch, and carve, is an invitation to play. It’s such a pleasure to … Read More
The final step toward getting your wares table ready requires that you handle each piece individually to decide how to … Read More