A Delicate Balance: Paul Briggs
Two distinct modes of making—contemplative slab building and meditative pinching—serve as a means for Paul Briggs to express reflections on … Read More
Two distinct modes of making—contemplative slab building and meditative pinching—serve as a means for Paul Briggs to express reflections on … Read More
In this issue, which focuses on the business side of being a ceramic artist, individuals discuss the long-term plans and … Read More
All potters learn early on in their careers that clay has a memory. Clay memory, or clay particle orientation that … Read More
Some folks feel like using commercial glazes is cheating, but I say, hogwash! I have been using commercial glazes for … Read More
Richard Zakin and Frederick Bartolovic
Clay undergoes a remarkable transformation when fired in a kiln, changing in molecular structure as the kiln heats up and … Read More
Mayer Shacter started out his career as a ceramic artist, then gravitated to his current focus as an art dealer … Read More
Studio time is precious, which leads me to evaluate work sessions based on how many pieces I’ve made, sanded, glazed, … Read More
There are a multitude of clay sculpture techniques for ceramic artists to choose from. The possibility for expression is unlimited … Read More
I love pots with pattern and imagery and have done a lot with screen printing on clay and paper stencils in my work. … Read More
Richard Zakin and Frederick Bartolovic
It goes without saying that kilns are a crucial part of the ceramic process, and increasingly, potters are using electric … Read More