From the Editor: January 2021
Studio time is precious, which leads me to evaluate work sessions based on how many pieces I’ve made, sanded, glazed, … Read More
Studio time is precious, which leads me to evaluate work sessions based on how many pieces I’ve made, sanded, glazed, … Read More
Sarah Jaeger’s newest body of work combines her focus on making pots for everyday life and her approach to surface … Read More
Fuels are organic and carbon based, they burn readily. Until recently, all kilns were fuel burning; even now when we … Read More
Although glaze crawling – when glaze recedes away from an area in the firing, leaving bare clay – is often … Read More
Dick Lehman shares how a chance encounter with Jyotaro Inoue almost 30 years ago has had a profoundly important influence … Read More
A lack of established guidelines for standard workshop compensation in the US makes it difficult for both artists and institutions … Read More
An emphasis on material converges with simple, yet curious forms in the ceramics of Louise Deroualle. Reflective of quiet introspection … Read More
After more than a decade of shuffling from studio to studio with each change in job or residency, Melissa Mencini … Read More
I spent two days with John Glick at his home and studio in Farmington Hills, Michigan, to begin researching an … Read More