Precious Cargo – Transporting Fragile Pots to Kiln Sites or Craft Fairs
For many of us, space constraints and/or financial constraints make it unpractical to have kilns in our studios. For me, … Read More
For many of us, space constraints and/or financial constraints make it unpractical to have kilns in our studios. For me, … Read More
Today’s post falls into the “knock-your-socks-off inspirational” category. In this post, an excerpt from the January 2021 issue of Ceramics … Read More
Want to make quick work of multiple, handbuilt plate forms? Try styrofoam rings found in most craft supply stores (for … Read More
Explorations of her own cultural hybridity and family history inform Heidi McKenzie’s choice of clays, forms, and surfaces in the … Read More
Andrea Denniston and Seth Guzovsky
Andrea Denniston and Seth Guzovsky operate Poor Farm Pottery in the Virginia mountains, each making distinctive work in a shared … Read More
Artist and gallerist Jonathan Kaplan shares several strategies to help potters adapt to the new reality and restrictions of the … Read More
The key to making good sets is to make them work well together both visually and functionally. With careful planning, … Read More
If you have been considering turning your pottery habit into a profession, you have probably pondered “how much money do … Read More
Ceramic jewelry involves two components, a ceramic piece and a metal finding. Start by creating the ceramic element for the … Read More
As a fine arts major, I took a wide range of studio and art history classes, but never took a … Read More