Unity, Form, and Surface: A New Approach to Fritware
Cranberry, 4½ in. (11 cm) in height, Grolleg porcelain, shino and ash glaze blend, reduction fired to cone 10, 2010.
For … Read More
Cranberry, 4½ in. (11 cm) in height, Grolleg porcelain, shino and ash glaze blend, reduction fired to cone 10, 2010.
For … Read More
I have always loved being an educator. After 10 years teaching at universities, community colleges, and art centers in the … Read More
For our inaugural readership-wide contest, we asked you to show us your creative process, from the drawing board (or screen, … Read More
First we’ll discuss the general physical/optical phenomenon that makes a glaze matte. To understand matte, we need to understand gloss. … Read More
Whether you need a drying bat, a simple hump mold, or you’re making a complex slip mold, you’ll need to … Read More
From the isolated badlands of Australia to the densely populated streets of Jingdezhen, two Aboriginal artists discover the rewards of … Read More
Crystalline glazes are seductive and instantly capture the eye. How exhilarating to create a glaze that suggests floating galaxies, frosty … Read More
Whether you’re working with homemade or commercial glazes, altering a base glaze to discover new color palettes can be easy … Read More
Need some seriously focused studio time? Need a creative jump start? Need a place to work and make connections? Need … Read More