From the Editor: March 2020
We all have our studio routines and habits, a rhythm developed after years of making. This can be good and … Read More
We all have our studio routines and habits, a rhythm developed after years of making. This can be good and … Read More
The Living Art of Bonsai project at the Pacific Bonsai Museum posed an unconventional challenge to ceramic artist Ron Lang: … Read More
A nation with deep and rich ties to the ceramic trade, Iran’s modern-day makers are grappling with the economic and … Read More
I spent two days with John Glick at his home and studio in Farmington Hills, Michigan, to begin researching an … Read More
I have always loved being an educator. After 10 years teaching at universities, community colleges, and art centers in the … Read More
First we’ll discuss the general physical/optical phenomenon that makes a glaze matte. To understand matte, we need to understand gloss. … Read More
Matt Kelleher and Shoko Teruyama
We spend all of our work life in the studio, except for when we have opportunities to teach workshops. Matt … Read More