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Large scale ceramics demand a number of considerations that do not concern most ceramists: kiln size, assembling, weatherproofing and installation are some of the things that must be taken into account. Large-scale Ceramics discusses these issues as well as giving advice on obtaining and handling commissions.
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Because low-firing is the most basic of all ceramic techniques, it treats all your senses. Using just about the lowest possible technical setting, you submit your work to flames and smoke giving you a sense of what the ancients felt when they used fire to create their primitive works. Both ancient cultures and contemporary potters have used low-firing to great effect, adding slips and burnishing pieces to create finishes not possible with any other firing method...(Scroll for more.)
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Raku has been a popular technique among potters for a long time—the roar of the fire, the glowing work, the dramatic results—are all part of the allure. But raku is more than just a technique, it’s a way of thinking with an attitude of openness to the unexpected and willingness...(Scroll for more.)
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Throwing large work is definitely challenging and takes a different approach than throwing normal-sized pots. Nic Collins looks at throwing purely from the perspective of making very large work. He assumes you can already throw, but different techniques are needed when making large work because of all the added problems—buckling, collapsing, warping...(Scroll for more.)
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When it comes to innovation, ceramic artists rank at the top. What is it about clay that brings out the creative spirit in us? Unlike a canvas to be painted or a stone to be carved, clay presents unlimited possibilities. You can shape it, throw it, pour it, carve it, stamp it, paint it—anything. It’s the most versatile of mediums...(Scroll for more.)
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One of the most remarkable things about clay is that you can make most anything from it, and in Ceramic Projects: Forming Techniques dozens of clay artists prove this over and over...(Scroll for more.)
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Clay is the oldest and most natural medium for sculpture. You can form large pieces one coil at a time, construct pieces with slabs, stack forms into totems, or now even create something digitally and “print” it. In Ceramic Sculpture, clay artists reveal their techniques and their inspiration for creative sculptural works...(Scroll for more.)
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Electric kilns are wonderful things! They’re so readily available and simple to install that you can easily take advantage of the incredible potential this tool has to offer. Nearly every ceramic artist now uses one in some capacity in their studio because electric firing offers a control and dependability not found with any other type of firing.
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Get in on the latest techniques from 21st century potters with a book that covers three of the most critical aspects of the ceramic process in up-to-date terms. Find out how 30 ‘with it’ ceramic artists create unique forms and the methods they use to glaze and decorate their work...(Scroll for more.)
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We all remember our first experience with glazing and how our hopes usually exceeded our skills–and knowledge. Glazing plays an important part of ceramic art but can be rather mysterious to both the newcomer and the seasoned professional...(Scroll for more.)
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Raku is one of the most exciting and popular techniques in ceramics. From the ball of clay to the final fired piece, you’re in control of every creative aspect along the way, and the basic raku process is within the reach of potters of any age or skill level. But when the technically skilled and highly creative artists turn to raku, they explore and experiment to take the medium to an inspiring level.
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Raku, pit and barrel firing are three of the most popular firing techniques in ceramics. Accessible to anyone involved in this expressive medium, the unifying theme of these three techniques is the ability to work directly with the fire to achieve both quick and unique results not available with more conventional firing techniques.
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There are scores of techniques, hundreds of variations and thousands of combinations in ceramics. And it’s these combinations that make pottery art so exciting since no two people can produce the same work. This is a book about variety, but, more importantly, it’s about possibilities....(Scroll for more.)
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When you’re ready to go beyond dipping, pouring and brushing the same palette of glazes onto your work, you’ll find the alternatives to surface decoration offered here to be an excellent jumping-off point...(Scroll for more.)
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This book covers three of the most critical aspects of the ceramic process. Find out how 30 ceramic artists create unique forms and the methods they use to glaze and decorate their work. You’ll discover all types of forming, decorating, and glazing techniques illustrated in detailed step-by-step photo sequences that cover the gamut of possibilities...(Scroll for more.)
