In this video, you’ll get a glimpse into a day in the studio with Simon Levin as he shares his streamlined process of throwing and trimming pots primarily off the hump. (Scroll down for more.)

In Part 1 of Teaching Clay in the Classroom, artist and educator Jeni Hansen Gard provides a comprehensive guide to setting up a classroom for teaching ceramics at the K-12 level. Because many K-12 art teachers have to teach this complicated subject with little or no ceramics background, this presentation gives a thorough introduction to ... (Scroll for more.)

Ceramic artists are some of the most inventive people around, and 100 Tips, Tools, & Techniques is a testament to their ingenuity. Compiled from the Ceramics Monthly and Pottery Making Illustrated archives, this book features some of the best tips and tools developed by fellow ceramic artists. (Scroll for more.)

Originally published in 2001, Vince Pitelka’s Clay: A Studio Handbook has been an essential, all-inclusive studio text for students, studio artists, educators and all those interested in the art of clay for years. Now it is back fully updated, expanded, and better than ever with beautiful...(Scroll down for more.)

The relatively inexpensive electric kiln is probably the single most important reason that ceramics has become so popular today. With many improvements over the years, electric kilns are now safer, more efficient, and easier to use than ever before. Every major manufacturer has better controls, more insulation, and ...(Scroll for more.)

In Ceramics in the Environment, world renowned ceramic artist Janet Mansfield shows how ornamental, architectural and large-scale ceramic works have always appeared on buildings...(Scroll for more.)

More and more, artists are interested in producing work that’s not only beautifully designed and produced, but also environmentally friendly and socially responsible. In Sustainable Ceramics, pioneer Robert Harrison draws on...(Scroll for more.)

In this collection of articles from the Ceramics Monthly archives published from the 1980s to the early 2000s, potters share their knowledge on a full range of topics including designing a studio, making and using tools and equipment, photographing work, marketing and sales, kilns and firing...(Scroll for more.)