Exposure: October 2015

“Containment,”

at The Clay Studio of Missoula (www.theclaystudioofmissoula.org) in Missoula, Montana, October 2–30.

1 Craig Clifford’s Conjoined, slip-cast and handbuilt earthenware.

 

“Japan!”

at Galerie Mouvements Modernes (www.mouvementsmodernes.com) in Paris, France, October 2–31.

2 Kanjiro Moriyama’s Kai (Turn), 18 in. (37 cm) in height, wheel-thrown stoneware, glaze, 2015. 3 Masaru Nakada’s Sen (Line), up to 17 in. (44 cm) in height, wheel-thrown porcelain, inlaid glaze, 2014.

 

“Hanwool Artists Association 2015 Exhibition,”

at Art and Culture Service Center in Jeju City, Jeju Island, South Korea, October 13–18.

4 Kyung Won Baek’s Ellipse 07, 29 in. (74 cm) in length, handbuilt porcelain, wood and soda fired, 2014. 5 Sun Mi Kim’s Come as the light, 13 in. (33 cm) in height, ceramic, china paint. 6 Yoojoo Kim’s Untitled, 14 in. (36 cm) in length, slip-cast white clay, drawing with water-soluble colorant. 7 Dong Hee Suh’s A Ladder in the Dream (Genesis 28), 32 in. (81 cm) in height, ceramic, glaze, fired to cone 04, 2015.

 

“My Blue China,”

at Bernardaud Foundation (www.bernardaud.fr) in Limoges, France, through November 21.

1 Kim Joon’s Blue Jean Blues-Easy Rider (detail), 6 ft. 10 in. (2.1 m) in length, 2012. 2 Katsuyo Aoki’s Trolldom, 6 ft. (1.8 m) in height, porcelain, 2015. Photo: Marco Suemasa.

 

“European Craft Summit,”

at Anciens Abattoirs (www.mons2015.eu/en/world-crafts-council) in Mons, Belgium, October 20, 2015–January 10, 2016.

3 Monika Patuszynska’s Bastards Series up to 13 in. (33 cm) in height, Parian ware, electric fired to 2300°F (1260°C), 2012–13. Silke Decker’s Stars Network, ceramic, 2014.

 

“Helena Starcevic,”

at Five Points Gallery (www.fivepointsgallery.org) in Torrington, Connecticut, October 22–November 21.

1 Helena Starcevic’s Falling Blue, 6 ft. (1.8 m) in height, ceramic.

 

“Barnaby Barford: The Tower of Babel,”

at Victoria and Albert Museum’s South Kensington’s Medieval and Renaissance Galleries (www.vam.ac.uk) in London, England, through November 1.

2 Barnaby Barford’s The Tower of Babel, bone china, ceramic transfers. 

 

“British Ceramics Biennial”

at Stoke-on-Trent, England, (www.britishceramicsbiennial.com) through November 8.

3 Mella Shaw’s Postcard 3, 23½ in. (60 cm) in height, stoneware, porcelain, 2014. 4 Mella Shaw’s Postcard 1, 27½ in. (70 cm) in height, stoneware, porcelain, 2014. 5–6 James Rigler’s At Every Fading of the Stars and Ten Columns (detail), from the installation at Tramware, Glasgow, 2015.

 

“Luxury, Peace, and Pleasure–Swiss Ceramics,”

at Musées de la Ville de Genève (http://institutions.ville-geneve.ch/fr/ariana) in Geneva, Switzerland, through November 1.

1 Zsuzsa Füzesi Heierli’s Double 3, 21 in. (53 cm) in height, porcelain, 2014. Photo: Bálint Rádóczy. 

 

“Ghetto Garniture: Wu Tang Worcester,”

at Ferrin Contemporary (www.ferrincontemporary.com) in North Adams, Massachusetts, through October 12.

2 Roberto Lugo’s We Are All Kings, 21 in. (53 cm) in height, porcelain, china paint, luster, 2014.

 

“Cerámica de Los Ancestros: Central America’s Past Revealed,”

at the National Museum of the American Indian (www.americanindian.si.edu) in New York, New York, through February 29, 2016.

3 Greater Nicoya tripod vessel in the form of an agouti, pottery, clay slip, paint, Nicoya, Guanacaste Province, Costa Rica, CE 1000–1350. Photo: Ernest Amoroso.

 

“Taboo: Sexuality and Sexual Identity in Ceramics,”

at Signature Contemporary Craft (www.thesignatureshop.com), in Atlanta, Georgia, through October 31.

4 Lauren Gallaspy’s Vanishing Point, 10 in. (25 cm) in height, porcelain. 5 Kirsten Stingle’s Nibble, 35 in. (88 cm) in height, handbuilt porcelain and stoneware, underglazes, slips, stain, mixed media.

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“British Ceramics Biennial”

at Stoke-on-Trent, England (www.britishceramicsbiennial.com), September 26–November 8, 2015.

1 Amy Hughes’ Untitled 1, 2½ ft (30 cm) in height, grogged terracotta, 2014. 2 Sam Bakewell’s Imaginationation Dead Imagine, 3 ft. 3 in. (1 m) in length, parian and porcelain, 2009–present. 3 James Rigler’s The Severed Head, 27½ in. (70 cm) in height, glazed earthenware, 2013.

4 Bethan Llyod Worthington’s Constellation (detail), 11 ft. 3 in. (3.44 m) in length, solid-smashed porcelain and brass rods, 2012. 5 Bethan Llyod Worthington’s Constellation, 11 ft. 3 in. (3.44 m) in length, solid-smashed porcelain and brass rods, 2012.

 

“Cerámica de Los Ancestros: Central America’s Past Revealed,”

at the National Museum of the American Indian (www.americanindian.si.edu) in New York, New York, through February 29, 2016.

1 Lempa River vessel depicting the god of fire, pottery, clay slip, San Salvador, El Salvador CE 900–1200. Photo: Ernest Amoroso. 2 Greater Nicoya crocodile jar, pottery, clay, slip, paint, Filadelfia, Guanacaste Province, CE 1000–1350. Photo: Ernest Amoroso. 3 Greater Nicoya female figure, pottery, clay slip, paint, Rivas, Nicaragua, CE 800–1350. Photo: Ernest Amoroso.

 

“European Craft Summit,”

at (www.mons2015.eu/en/world-crafts-council), in Mons, Belgium, October 24, 2015–January 10, 2016.

 

“Ghetto Garniture: Wu Tang Worcester,”

at Ferrin Contemporary (www.ferrincontemporary.com) in North Adams, Massachusetts, through October 12.

1 Roberto Lugo’s Latin Kings Teapot, 13 in. (33 cm) in height, porcelain, china paint, 2014. 2 Roberto Lugo’s Bloods Ginger Jar, 1 ft. 9 in. (53 cm) in height, porcelain, china paint, luster, 2013. 3 Roberto Lugo’s Bloods Ginger Jar, 1 ft. 9 in. (53 cm) in height, porcelain, china paint, luster, 2013.

 

“My Blue China,”

at Bernardaud Foundation (www.bernardaud.fr) in Limoges, France, through November 21.

ex_MyBlueChina_SinYingHo

Sin Ying Ho’s Temptation Life of Goods No. 2, 6 ft. 4 in. (1.9 m) in height, porcelain, cobalt pigment, underglaze, decal, glaze, 2010.
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