New Work by Peter Beard
at the Contemporary Ceramics Centre (http://cpaceramics.com) in London, England, through October 12.
1 Peter Beard’s Dark Blue Flat Vessel, 8¾ in. (22 cm) in height, stoneware, 2019.
Jun Kaneko: An Abundance of Presence
at Gerald Peters Projects (www.petersprojects.com) in Santa Fe, New Mexico, through October 26.
1 Jun Kaneko’s untitled, Dango series, 36½ in. (93 cm) in width, hand-glazed raku ceramics, 2019. Photo: Colin Conces.
Jo Davies: London Porcelain
at Mufei Gallery (www.pws-shanghai.com/?lang=en) in Shanghai, China, through October 12.
1 Jo Davies’ Chinese Tea Set, 12 in. (31 cm) in diameter, porcelain, 2019. Photo: Matthew Booth Photography.
at In Tandem Gallery (www.intandemgallery.com) in Bakersville, North Carolina, October 1–31.
1 Sue Tirrell’s plate, 6½ in. (17 cm) in length, drawn and carved porcelain, underglaze, fired to cone 6. Photo: Silvia Palmer.
Brother Thomas Bezanson: Tall Forms
at Pucker Gallery (www.puckergallery.com) in Boston, Massachusetts, through October 13.
1 Brother Thomas Bezanson’s vase with long neck, 16½ in. (42 cm) in height, porcelain, copper-red glaze. Photo: John Davenport.
2 Brother Thomas Bezanson’s vase with lid, 19 3/4 in. (50 cm) in height, porcelain, blue chrysanthemum glaze. Photo: John Davenport.
Workhouse Clay International 2019
at Workhouse Arts Center (www.workhousearts.org) in Lorton, Virginia, through October 13.
1 Farraday Newsome’s Lively Bowl with Oranges, 14 in. (36 cm) in diameter, terra cotta, fired in an electric kiln, 2017.
2 Virginia Scotchie’s Pollination, 15 in. (38 cm) in height, stoneware, 2019.
3 Marty Fielding’s bottle, 16 in. (41 cm) in height, handbuilt red stoneware, fired in an electric kiln to cone 4, 2018.
4 Ken Baskin’s Crucibles Series #20, 22 in. (56 cm) in length, soda-fired stoneware, 2017.
5 Nancy Sowder’s turquoise tray, 11 in. (28 cm) in diameter, mid-range stoneware, commercial underglazes, sgraffito, commercial glazes, fired in a electric kiln, 2019.
6 Chiho Tokita’s Intimations Form #1, 17 in. (43 cm) in width, porcelain, glaze, fired in an electric kiln, paint, 2018.
7 Mari Emori’s Circle Series: Red & Black Metallic, 16 in. (41 cm) in diameter, handbuilt and wheel-thrown stoneware, fired to cone 10 in reduction, 2017.
Ceramic Momentum—Staging the Object
at CLAY Museum of Ceramic Art Denmark (https://claymuseum.dk) in Middelfart, Denmark, through November 3.
1 Steen Ipsen’s Organic Movement 3/2015, 36½ in. (93 cm) in length, white earthenware, black transfer decoration. Photo: Ole Akhøj.
2 Anton Alvarez’ 0206181800, 25 in. (64 cm) in height, extruded, colored porcelain, 2018.
3 Martin Bodilsen Kaldahl’s Spatial drawing #20, 5 ft. 5 in. (1.6 m) in height, earthenware, slips, 2017. Photo: Ole Akhøj.
4 Linda Sormin’s Sketch for Wet Dream Architecture, 3 ft. 3 in. (1 m) in width, glazed ceramic, discarded 3D prints, 2017. Photo: Brian Oglesbee.
5 Takuro Kuwata’s teabowl, 4 in. (11 cm) in height, porcelain, pigment, gold, platinum, 2013. Courtesy of Kosaku Kanechika.
6 Matt Wedel’s Flower Tree, 3 ft. 11 in. (1.2 m) in height, fired clay, glaze, 2015. Courtesy of L.A. Louver.
Mending: Craft and Community, Selections from the Museum’s Collections
at the Museum of Fine Arts, Houston (www.mfah.org) in Houston, Texas, through October 20.
1 Jeffry Mitchell’s The Mushroom, 3 ft. 9 in. (1.1 m) in height, terra cotta, porcelain slip, 2012. Museum purchase funded by the Mark and Hilarie Moore Family Trust in memory of Neil E. Moore.
2 Rick Dillingham’s vase on pedestal, 20 in. (51 cm) in height, raku-fired ceramic, 1985. Garth Clark and Mark Del Vecchio Collection, museum purchase funded by the Caroline Weiss Law Accessions Endowment Fund.
3 Reinaldo Sanguino’s Honoring a Queen, 4 ft. 4 in. (1.3 m) in height, ceramic, acrylic braids, sequins, Plexiglas, 2007. Gift of Garth Clark and Mark Del Vecchio, and Dean Project, New York.
at Duane Reed Gallery (www.duanereedgallery.com) in St. Louis, Missouri, through October 12.
1 Rebecca Hutchinson’s Purple Overlap, 7 ft. 6 in. (2.3 m) in length, fired and unfired porcelain paper clay, handmade paper, organic material, 2018. Photo: Jeff Van Tine.
Passages of Absence
at Gallery 224 at the Ceramics Program, Office for the Arts at Harvard (https://ofa.fas.harvard.edu/ceramics) in Allston, Massachusetts, October 5–November 1.
1 Natalia Arbelaez’s El Mujer Dorado, variable dimensions, terra cotta, performer, digital print. Photo: Chris Stone.
at Galerie Terra Delft (www.terra-delft.nl) in Delft, The Netherlands, through October 6.
1 Vladimir Groh and Yasuyo Nishida’s Zik Zak Cups Double Blue, to 4¾ in. (12 cm) in height, porcelain.
Vessel as Metaphor
at Red Lodge Clay Center (www.redlodgeclaycenter.com) in Red Lodge, Montana, October 4–November 2.
1 Giselle Hicks’ vessels, coiled and pinched clay, glaze, 2019.
2 Holly Walker’s Gothic Jar, 11 in. (28 cm) in height, ceramic, 2019.
Magic Garden: Adam Redd
at Saratoga Clay Arts Center (www.saratogaclayarts.org) in Schuylerville, New York, through November 1.
1 Adam Redd’s Dark Matter Mountain, 36 in. (91 cm) in height, ceramic, glazes, 2019.