Exposure: February 2017

Matt Towers, Nathan Carris Carnes, and Matt Dercole

at Wesleyan Potters Gallery (www.wesleyanpotters.com) in Middletown, Connecticut, February 8–March 12.

1 Matt Towers’ dish set, porcelain.

 

Line and Volume: Ceramics by Mindy Horn and Ann Mallory

at Mattatuck Museum (www.mattmuseum.org) in Waterbury, Connecticut, through March 12.

1 Mindy Horn’s Female Form, 16 in. (41 cm) in height, porcelain, Mason stains, underglaze, fired in oxidation to cone 10. Photo: Ed Prescottano.

2 Ann Mallory’s Walking, With Sorrows, 4 ft. (1.2 m) in height, high-fired ceramic, 2016. Photo: Rich Pomerantz.

 

Nature: Surface, Form, Content

at the Clay Studio of Missoula (www.theclaystudioofmissoula.org) in Missoula, Montana, February 3–24.

1 Denise Woodward-Detrich’s orchid planter, 18 in. (46 cm) in length, white stoneware, salt fired, 2014.

 

Three Jerome Artists and Fogelberg, Red Wing, and Anonymous Potter Studio Fellowship Artists

at Northern Clay Center (www.northernclaycenter.org) in Minneapolis, Minnesota, through February 26.

1 Megan Mitchell's plate, 12 in. (30 cm) in diameter, porcelain, lithographic transfer, 2016.

2 Elizabeth Pechacek's Split Obelisk, 17.3 in. (44 cm) in height, stoneware, luster, metal, 2016. Photo: Louisa Podlich.

3 David Swenson's bowl, 8 in. (20 cm) in diameter, stoneware, stain, glaze, 2016.

4 Amanda Dobbratz' flower brick vase, 11 in. (28 cm) in length, earthenware, slip, stain, underglaze, glaze, borax wash, 2016.

 

Twenty Years of Excellence in Native Clay

at King Galleries (www.kinggalleries.com) in Scottsdale, Arizona, through February 2.

 

1 Al Qöyawayma’s Uxmal: Governor’s Palace, 10 in. (25 cm) in height, native clay, 2016.

2 Autumn Borts-Medlock’s Parrot, 5 in. (13 cm) in height, native clay, 2016.

3 Les Namingha’s Zig-Zag, 10 in. (25 cm) in diameter, native clay, acrylic, 2016.

 

Scape

at JamFactory (www.jamfactory.com.au) in Adelaide, South Australia, February 16–April 23.

 

1 Kenji Uranishi’s Dome, 14 in. (36 cm) in diameter, porcelain, 2016.

2 Roderick Bamford’s Sonic Loop Green, 15 in. (38 cm) in height, porcelain, 2009. Photo: Helene Rosanove.

Border Crossing

at National Museum of Women in the Arts (www.nmwa.org) in Washington, DC, February 17–May 14.

 

1 Jami Porter Lara’s LDS-MHB-GSBR-0416CE-01, 12½ in. (32 cm) in height, pit-fired clay, 2016. Courtesy of Ona Porter and Miriam Rand. Photos: Geistlight Photography.

2 Jami Porter Lara’s LDS-MHB-LPBR-0416CE-01, 9 in. (23 cm) in height, pit-fired clay, 2016. Courtesy of Emilie Porter-Rand and Marc Basiliere. Photos: Geistlight Photography.

 

Collect 2017

at Saatchi Gallery (www.saatchigallery.com) in London, England, February 2–6.

 

1 Tanya Gomez’s A Day (backdrop), 16 ft. (5 m) in height, watercolor backdrop. Photos: Jonathan Bassett.

2 Tanya Gomez’s A Day, to 14½ in. (37 cm) in height, wheel-thrown porcelain, fired in reduction and oxidation. Photos: Jonathan Bassett.

An Ode to the Shirts and Socks That Once Called My Closet Home

at Dubsea Coffee (www.dubseacoffee.com) in Seattle, Washington, through March 1.

 

1 Vanessa Norris’ Fuck Your Expectations, 6 in. (15 cm) in height, porcelain, underglaze, slip, fired to cone 6 in an electric kiln, 2016.

Clay as Paint

at Kamruz Gallery (www.kamruz.com) in Telluride, Colorado, through February 28.

 

1 Eunika Rogers’ One Day I Looked in the Mirror, 36 in. (92 cm) in height, clay, charcoal, canvas, encaustic finish, 2016.

Decade: Selected Works from 2006–16

at Leedy-Voulkos Art Center (www.leedy-voulkos.com) in Kansas City, Missouri, through April 1.

1 Misty Gamble’s Forevermore, 7 ft. (2.1 m) in height, ceramic, flocking, Ralph Lauren–brand gold metallic paint, 2016. Photos: E.G. Schempf.

 

Drawings in Time

at Tijuana Cultural Center (www.cecut.gob.mx) in Tijuana, Baja California, Mexico, through February 28.

 

1 Estela Hussong’s untitled, 11 in. (28 cm) in height, ceramic, glaze, high fired. Photo: Cecilia Rodríguez.

The American Craft Show in Baltimore

at Baltimore Convention Center (craftcouncil.org/baltimore) in Baltimore, Maryland, February 24–26.

 

1 Lori Katz’s untitled, 9¼ in. (23 cm) in height.

2 Hideaki Miyamura’s tall vase, 18 in. (46 cm) in height.

3 Lana Heckendorn’s platter, 12 in. (30 cm) in diameter

New Ground: The Southwest of Maria Martinez and Laura Gilpin

at National Museum of Women in the Arts (www.nmwa.org) in Washington, DC, through May 14.

 

1 Laura Gilpin’s Maria Martinez Making Pottery, 14½ in. (37 cm) in length, gelatin silver print, 1959. Copyright 1979 Amon Carter Museum of American Art, Fort Worth, Texas. Courtesy of the Eugene B. Adkins Collection at Philbrook Museum of Art, Tulsa and Fred Jones Jr. Museum of Art, University of Oklahoma, Norman.

2 Maria Martinez and Popovi Da’s polychrome olla, 10½ in. (27 cm) in diameter, polychrome pottery, 1966. Courtesy of the Eugene B. Adkins Collection at Philbrook Museum of Art, Tulsa and Fred Jones Jr. Museum of Art, University of Oklahoma, Norman.

 


Subscriber Extras: Images

Nature: Surface, Form, Content

at the Clay Studio of Missoula (www.theclaystudioofmissoula.org) in Missoula, Montana, February 3–24.

 

Steve Schaeffer’s Sorrow, black clay, slipcast, handbuilt, mid-range.

Shiyuan Xu’s Through the Lens #2, porcelain paper clay.

Lauren Sandler’s Birds Eye View, earthenware tiles, pit-fired, walnut-framed.

Twenty Years of Excellence in Native Clay

at King Galleries (www.kinggalleries.com) in Scottsdale, Arizona, through February 2.

Nathan Youngblood’s vase.

Russell Sanchez’ vessel.

Tammy Garcia’s vase.

Virgil Ortiz sculpture.

 

Scape

at JamFactory (www.jamfactory.com.au) in Adelaide, South Australia, February 16–April 23.

Kenji Uranishi’s Danpen 4, porcelain.

Roderick Bamford’s Serpentine, porcelain. Photo: Helene Rosanove.

Kenji Uranishi’s Water Wheel, porcelain.

 

Border Crossing

at National Museum of Women in the Arts (www.nmwa.org) in Washington, DC, February 17–May 14.

Jami Porter Lara’s MHB-6SBR-0916CE-01, clay, pit-fired. Photo: Addison Doty.

Jami Porter Lara’s LDS-MHB-WVBR-0416CE-08, clay, pit-fired. Photo: Geistlight Photography.

Jami Porter Lara’s MHB-3SBR-0916CE-01, clay, pit-fired. Photo: Addison Doty.

 

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