In the Potter’s Kitchen: Milk + Cookies
An invitation to participate in the exhibition “Decadence of Display: Ceramics for Dessert” at Hood College in Frederick, Maryland, in … Read More
Red Clay Glaze
My work is always fired to cone 6 in oxidation and I build glazes that include 20–25% red clay and … Read More
Studio Visit: Theo Helmstadter, Green River Pottery, Santa Fe, New Mexico
I have always lived as physically close to my studio as possible. I know that for health reasons you’re not … Read More
Minding the Corners
It’s all about the clay: how it feels in your hands, on your fingertips; how it can be shaped and … Read More
Rose Cabat, “That Would Look Lovely in a Cobalt.”
Rose Cabat, best known for her small vessels–known as Feelies–with soft, satiny glazes that invite viewers to touch them, worked … Read More
Studio Visit: Vipoo Srivilasa, Melbourne, Australia
After working in a shared studio for 15 years, Vipoo Srivilasa transformed a small warehouse into a studio that was … Read More
Exposure: January 2018
Images from Current and Upcoming Exhibitions … Read More
In the Studio: Finding Perspective
After undergraduate school, I began considering what my studio practice could look like. I identified myself as a potter using … Read More
In the Studio: Yellow Glazes
When fired in oxidation, a small amount of iron oxide (1–5%) gives a honey- or amber-yellow color. Iron oxide in … Read More
In the Studio: Make Your Own Kiln Setters
When I first moved to Northfield, Minnesota, I found a wonderfully tight-knit community of potters. At that time, I was … Read More
